Example 5.28
Ivan Wyschnegradsky, Prelude No. 1, mm. 3-5
It's always dangerous to assign Roman Numerals outside of a diatonic context, but the arpeggiations in this example do bear some resemblance to a sort of I-II-V chord progression.
It's always dangerous to assign Roman Numerals outside of a diatonic context, but the arpeggiations in this example do bear some resemblance to a sort of I-II-V chord progression.